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Hinweis zur verantwortlichen Stelle
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Register collects work by Robin Christopher Körner, who provides design and art direction in the fields of visual identity, editorial design, book design, web, and digital media design, with a special interest in a conceptual approach and a strong focus on typography. His work offers a cross-disciplinary combination of different media, such as digital, print, and space, and includes holistic support, consisting of conception, consulting, and implementation. Using a variety of techniques, each project is shaped by a content-driven process, focusing on clear visual aspects to create a synthesis of content and form.
Graduating in 2020 from the University of Applied Sciences Mainz, he was a recipient of a scholarship from the Studienstiftung des deutschen Volkes. He worked in different cities such as Frankfurt, Munich, and Stuttgart for various design agencies and offices, including:
A collaborative book project that combines the photography of Mascha Dilger with literary works by Celine Radloff. The collection was self-published in a first edition of 100 copies.
The photographer captures moments in diverse places. People are usually absent, and if they appear, they do so in a state of mental absence at most. At the same time, the photographer’s role is reflected: she, too, oscillates between presence and absence. She leaves her everyday spaces, searches, collects, lingers, presses the shutter release, and moves on. Celine Radloff’s literary works take up associative thoughts, leaving room for new stories and revealing undiscovered aspects.
As this is a collection of photographic works, a photo folder was chosen as the cover and further processed, transforming the publication into a curated archive. The publication is accompanied by an index, which takes up the visual language of a slide for negatives and conveys further information about the photographs. A sticker closes the book before it is viewed for the first time, thus reinforcing the participatory idea behind the object. The project is a collaboration between different disciplines (literature, photography, and graphic design) that inspire and complement one another.
Accompanying Karl&Faber’s special auction, the catalogue Anything Goes includes works by artists from the 1980s, such as Martin Kippenberger, Franz West, Georg Herold, Günther Förg, and Albert Oehlen, among others. Contained in a heat-foil-printed sleeve, the publication and its associated list of works reference the predominantly experimental, humorous, and playful approaches of these artists.
— May 2022
— 210 × 210 mm
— 180 pages
— Creative direction: Off Office (Johannes von Gross, Markus Lingemann)
A series of photos that visualize the artificial withdrawal of plants during the colder months of the year. Wrapped in protective covers, the plants invite interpretation through their sometimes humorous and outlandish appearance, sparking stories and playful thoughts. The series was published in the first issue of Degrees Magazine and contains a total of eight images. These were taken in Mainz and Darmstadt, both cities in Germany, as well as in the Austrian capital, Vienna.
Visual identity for gerbion, an innovative company based in Kornwestheim, specializing in the development and optimization of PCR test systems. With a strong focus on simplicity, flexibility, robustness, and scalability, gerbion provides reliable and efficient solutions for molecular diagnostics. Committed to the highest standards of quality and precision, the company plays a key role in advancing PCR technology.
— February 2025
— Photography: David Speath
— Photo assistant: Matthias Somberg
— Hair and make-up: Viktoria Hof
— Creative direction: hellofarm Design Studio (Anthony Lynch, Bjørn Küenzlen)
Graphic Synthesis – an Expression of Manual Typography includes a two-story wooden frame with a hand-drawn title, 186 wooden type sorts, a screen-printed introduction, and some plain sheets of paper. It serves as a participatory foundation in seminars, design classes, and political activities, functioning as an instrument for engaging with information. Additionally, it aims to foster interest in typography while raising awareness of constructive communication through experimental interaction.
Lookbook design for the Fall/Summer 2023 collection of Hannes Roether, a fashion brand specializing in minimalist and timeless clothing for women and men, made from luxurious natural materials in Europe.
— March 2023
— 145 × 210 mm
— Photography: Kathrin Makowski
— Hair and make-up: Corina Friedrich
— Creative direction: Off Office (Johannes von Gross, Markus Lingemann)
Karl&Faber is a renowned art auction house founded in Munich in 1923, specializing in fine art from the 15th to the 21st century. The auction house brings together art experts in the fields of Old Masters, 19th Century Art, Modern Art, and Contemporary Art. Their professional expertise includes market knowledge, international networks, as well as trustworthy exchanges and personalized service. Off Office created a visual identity that effectively supports their services, consisting of various communication tools.
The company received holistic support with its annual customer magazine, auction catalogs for Old Masters, 19th Century Art, Modern Art, and Contemporary Art (eight catalogs per year), as well as brochures, invitation cards, advertisements, posters, and various digital formats.
— Identiy and various printed media
— 2021–2023
— Creative direction: Off Office (Johannes von Gross, Markus Lingemann)
The catalogue accompanies the exhibition by Martin Fengel and Martin Wöhrl, held in the summer of 2023 at Villa Dürckheim in Weimar. This publication captures their artistic exchange, showcasing works that move between sculpture, installation, and photography. With a mix of texts and visual material, the catalogue offers a fresh perspective on their collaboration and the dynamic interplay of their artistic approaches.
— September 2023
— 165 x 235 mm
— 36 pages
— Creative direction: Off Office (Johannes von Gross, Markus Lingemann)
Off Office developed a new visual identity for the classical music festival founded by Herbert von Karajan, creating a visual link between the festival’s rich history and its focus on new programs, such as dance and electronic music.
History and modernity meet in the form of opulent, decorative, and matter-of-fact typography, inspired by the titles of old scores and the detailed aesthetics of musical notation. These graphic references to classical music are juxtaposed with fresh, contemporary, and playful photography, as well as digitally luminous colors, which primarily reflect the emotional dynamics of music, opera, and dance in an abstract-metaphorical way. In terms of materiality and haptics, these contrasts continue in publications and stationery through the combination of fine hammered paper with gray recycled material.
— Web design and various printed media
— 2022–2023
— Photography: Erli Gruenzweil, Vincent Forstenlechner
— Creative direction: Off Office (Johannes von Gross, Markus Lingemann)
Catalogue for an exhibition curated by Tatjana Schäfer and Lisa Stoiber at Platform Munich.
The exhibition raises the question: Where do we escape to when our outer and inner worlds come crashing down on us? Escapism can be triggered by both personal and collective experiences, leading to a search for refuge in either the physical or immaterial realm. The exhibition Shapes of Shelter presents seven artistic positions that explore mechanisms of seeking shelter.
Accompanying the exhibition, the binding of the catalogue references aspects of protection, reflecting the conceptual idea behind the exhibition. The two separate booklets encourage conscious interaction with the publication due to their different ways of opening. While the left booklet serves as an introductory exhibition documentation, the right booklet focuses on individual works and details. The unique forms of the artworks are emphasized by the page layout, allowing for personal interpretations of the art.
— March 2023
— 170 × 240 mm
— 32 pages
— Curation: Tatjana Schäfer, Lisa Stoiber
— Exhibition views: Magdalena Jooss
— Creative direction: Off Office (Johannes von Gross, Markus Lingemann)
The collection represents a contemporary view of today’s office environments and explores the physical office structures associated with them. It was created in collaboration with Concept Office, a space founded to establish new forms of cooperation and to make office environments more sustainable and adaptable in their use. The objects can be combined in various ways, allowing for alternative uses, spaces, and work situations. At the same time, the collection emphasizes regional and ecological manufacturing, short transportation routes, and transparent value creation.
